What future for toppled statues?

Blog post by Meghan Tinsley, University of Manchester, UK; Sadia Habib, University of Manchester, UK; Chloe Peacock, University of Sheffield, UK; Ruth Ramsden-Karelse, Institute for Cultural Inquiry, Germany; and Gary Younge, University of Manchester, UK
 
Toppling a monumental, public statue may be powerful, cathartic, or even jarring for those who witness it. As sites of memory and public art, statues are imposing, apparently permanent figures that claim a prominent place in both urban space and collective memory. Toppling these statues overthrows the appearance of stability and authority. It is at least partly because this act was so visually striking that images of cultural activists toppling statues were among the most iconic symbols of the Black Lives Matter protests that erupted across the globe in the summer of 2020.
 
Far less public attention, however, has focused on what has happened to public space since the statues were toppled. Certainly, dethroning slavers and colonisers is an important first step of decolonising history, but it also introduces the question of who, or what, should replace their stories and voices. Similarly, toppling statues of slavers and colonisers in 2020 signalled the beginning of an equally fraught – and ongoing – debate over what to do with newly emptied pedestals and public squares. 

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