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30th Anniversary Special Edition of The Identities Newsletter
The Identities Podcast
New on The Identities BlogBeyond the tower of babble
My Identities article, ‘The BBC, public intellectuals, and the making of Five Views of Multiracial Britain’, centres on a series of five television programmes made by the BBC in 1978 and subsequently published as a slim booklet by the Commission for Racial Equality. This is a piece of media and socio-political history though re-viewing it in light of recent events reveals some notable contrasts about public intellectuals and the media/the BBC then and now....
Negotiating the contours of Asian American food
In April 2024, David Chang, head of the Momofuku food empire, came under fire when lawyers for his brand sent cease-and-desist letters to dozens of companies across the US. At issue was the apparent unauthorized use of ‘chili crunch’, a name that Momofuku was in the process of trademarking for one of its own chili oil products. Though Momofuku eventually pulled these requests, with Chang himself issuing a public apology, it was clear that a metaphorical line had been crossed.
Shaping political identity through music
Historically, music has remained a critical unifying feature of the citizens in Nigeria's political processes, particularly during campaigns. Music has achieved this by transcending the many linguistic and ethnic barriers in modern Nigeria. The country’s February 2023 presidential election was no different with campaign songs as a medium through which political ideologies and identities were broadcast and reinforced. These memorable songs laden with cultural references served as a vehicle for political messaging that was both accessible and emotionally compelling....
The invisibilization of Black children
In the technicolorized version of the film Imitation of Life (1959) about racial passing and white supremacy, Annie Johnson, a Black housekeeper, asks a rhetorical and existential question of Miss Lora Meredith, Annie’s white employer and mother of a white daughter. Referring to her Black daughter Sarah Jane, who passes for white, Ms. Johnson says, ‘How do you tell a child that she was born to be hurt?’ While this film is melodrama at its best, Annie's sentiment captures Black parenting and Black guardianship and its inability to protect Black children and families from systemic racism....
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The views and opinions expressed on The Identities Blog are solely those of the original blog post authors, and not of the journal, Taylor & Francis Group or the University of Glasgow.